Expansion On Authur Millers Death Of A salesman Essay

Expansion On Authur Millers Death Of A salesman - Essay Example man, such as an ancient version of Willy Loman from Arthur Miller’s play â€Å"Death of a Salesman,† would be no more shocking or dramatic than fish going bad. However, a modern audience has a much more difficult time relating to the sanctity of the mighty. It is much easier for them to expect downfalls of their leaders and more shocking to them when they see someone more like them, a common man, fail due to his own mistaken beliefs. Thus, in modern times, Miller’s ‘low man’ Willy is the quintessential classic tragic hero of the modern age. Although the tragic hero was a character in ancient Greek plays long before Aristotle codified the term, they all shared these same characteristics that Aristotle identified. As has been mentioned, in ancient times, these ideas were reserved for men who had the potential to reach greatness of some kind – usually men with a claim to nobility. Despite their greatness, they become destined to fail because of some tragic flaw in their character. This tragic flaw is typically, but not always, the flaw of excessive pride in one’s own abilities. No matter what the flaw is, it is always tied strongly to the reasons for their success and is therefore something the individual is justifiably proud to exercise (Aristotle, 1998). According to Zarro (2001), â€Å"the tragic effect will be stronger if the hero is ‘better than we are’, in that he is of higher than ordinary moral worth. Such a man is shown as suffering a change in fortune from happiness to misery because of a mistaken act, to which he is led by his hamartia (his ‘effort of judgment’) or, as it is often literally translated, his tragic flaw.† Society has shifted since then in such a way that today, we consider the common man as having a greater chance of higher than ordinary moral worth in his dedication to making an honest living for modest goals. Today’s tragic hero cycle focuses more on the three events than the noble status. The social

Yes or no, did Roman architecture show any artistic advance over Greek Essay

Yes or no, did Roman architecture show any artistic advance over Greek architecture If so, how; if not, why not - Essay Example Nonetheless, many of the buildings were turned into places of worship during the Christian era. This paper highlights how Roman architecture shows artistic advances over Greek architecture. Roman culture and architecture, in specific, is established on that of the Greeks. In the republican period, Roman architecture merged Greek components and developed structures like the curved arch and the round temple. The principle Roman advancement in architecture was the establishment of sophisticated arched construction. This is where a ceiling is held by arches. During the Greek era, arched building was uncommon and straightforward. The common style of construction was referred to as post-and-beam (Kleiner 14). This was made up of vertical posts that held horizontal beams. The Romans also made advances in the building materials. Early Greeks used stone, mud, plaster, and wood in their buildings. In their natural form, these structures could not exist for long. Nonetheless, the Greeks built their temple with limestone or marble. Moreover, early Romans also used similar materials, especially limestone and marble. The Romans advanced building materials by utilizing concrete in many of their structures. Concrete is a combination of lime mortar, sand, and water. It is stout but light, permitting the Roman architects to build free-flowing and larger buildings. In addition, temples are the only form of Greek architecture that are still in existence (Ching, Jarzombek and Prakash 59). These structures were discernible on the inside and ornate on the outside. Conversely, Roman structures still exist. This is because of their progress in building technology. Unlike Greek structures, Roman buildings were ornate both on the inside and outside, showing the desire f or pleasure. Also, Romans improved the construction details. Greek buildings are usually of post and lintel and rectilinear construction. The